Monday, March 14, 2011

Dead Men Prologue

Hey guys,

Got a favor to ask of you before we continue on with BOOGEYMEN.

I'm editing the text of the first ebook, PETER AND THE VAMPIRES, and I though I maybe should add in a bit to the first story, "Peter And The Dead Men."

The argument for: readers who are new to the story might not stick with the story 17 pages until the bad guy initially shows up. "Dead Men" is a bit slow to get started, what with Peter moving in and all. The new 3 pages are basically like a "teaser" in front of an X-FILES episode, showing you something creepy that will hook you until the main story really gets going.

The argument against: you lose a little more of Peter's uncertainty about whether Dill and GF are crazy, or if there really IS something out there in the garden. Might be a little confusing to the reader to be reading about "a boy" and "an old man" and not get any names until page 5 or 6. (Dill recounts the watermelon story to Peter in their first meeting.)

So, tell me what you think! Do I need the prologue or not? Good idea or not? Why or why not?

Thanks!


CHAPTER 1

There was something out in the garden, he was sure of it.

The boy watched from the roof of his parents’ one-bedroom house, where he sprawled out on the tar paper shingles.

Next door was the crazy old man’s place, a giant mansion straight out of a horror movie. Four stories tall, with beat-up wooden siding, shutters that hung halfway off their hinges, and mismatched windows of all shapes and sizes.

Behind the house was an overgrown hedge of roses that nobody ever trimmed.

And behind that was the garden.

The boy had been fascinated with it ever since his family moved in three years ago. The garden was an overgrown jungle of every type of plant you could imagine – corn, beans, tomatoes, cucumbers, eggplants, even strawberries – and was almost as big as a football field.

The boy had tried once to go over there and ‘borrow’ a watermelon. Five minutes later, as he ran from the field with a shotgun going off behind him, he had learned that the old man was as crazy as everybody said.

But there was something very, very strange going on with the garden.

The old man never planted anything in it, yet every year it bloomed with new life. He never saw the old man go out to pick anything from it, and yet the fruits and vegetables all gradually disappeared over the summer and fall.

And every night, there was something out there moving in it.

The boy had noticed it this past summer, when the plants were still green. At night, the corn stalks would sway and shiver. From the roof, he could watch the path of whatever it was make its way through the greenery.

And now that the plants were brown and dead, he could hear the soft shhhh shhhh shhhh of something moving out there.

Weeks of curiosity had built up in him. He was about to burst.

As much as he feared the old codger with the shotgun, he had to know what was out there.

Tonight was the night he was going to go see what it was.

The boy swung off the roof, into the tree on the side of the house, dropped to the ground, and made his way inside.

His two older sisters were screaming at each other from opposite sides of the bathroom door. (His mother was still at work at the diner, or she would have been yelling at them to shut up.) His older brothers were in the den watching TV. And his dad’s beer-soaked snores drifted out of a bedroom in the back of the house.

The boy crept into the den without being seen and stole his father’s cigarette lighter from the table by the couch. Then he ran outside.

He walked along the wooden fence that divided the two properties. On his family’s side of the rotting rails and posts were acres and acres of forest. The old man’s property extended far beyond the garden, but it was just rolling, moonlit fields as far as the eye could see.

The boy came up even with the garden, though it was still almost a hundred feet away from where he stood. He waited there in the darkness, watching the house for a sign…for any hint of lights in the windows, or a glimpse of the old man.

There was none.

He bolted across the field.

He hesitated at the edge of the garden and looked up at the cornstalks towering overhead. They were so tall…and the shadows between them were so dark…

He balled up his fists and plunged inside.

It was hard going, but he forged on anyway. He had been pushing through the dried-out husks of plants for almost a minute when he heard it up ahead:

shhhh shhhh shhhh.

The boy paused to listen, and strained his eyes to see. Even though the moon was bright in the sky, barely any light penetrated down into the maze of dead stalks.

He pulled out the cigarette lighter, an aluminum Zippo with a flip top, and popped it open. It took him three or four swipes of his thumb on the flint wheel, but he finally got it to light.

He stood there in the gloom, the brown cornstalks around him flickering in the glow of the orange flame.

Something touched his foot.

“AAAAAAAAAAAAAAAAAAAAAAAAHHHHHHH!” the boy screamed.

He dropped the lighter and ran.

There was a crackling sound behind him, and everything began to get brighter. He realized as he hurtled through the dead plants that it was getting warmer, too…

He burst out of the cornstalks and turned around, huffing and puffing.

The entire garden was in flames.

The boy watched, mesmerized, as the fire spread in waves. Vines wilted and stalks blackened and smoke billowed into the air.

POOOM.

The boy flinched and looked around wildly. The sound was like a gunshot, but not as loud.

POOOM.

Bits of wet goop fell from the air and spattered on the boy’s blond buzz-cut. He touched it, grossed out at first. Then he sniffed his fingers, and finally licked.

Watermelon.

The watermelons were exploding.

POOOM! POOOM! POOOM!

This was the coolest thing ever.

“YOU! IDJIT!” thundered a familiar, gravelly, terrifying voice.

The boy almost peed his pants.

Actually, he did pee his pants.

But just a little squirt.

The old man was rushing from his house towards the garden, a scarecrow in a white shirt, grey vest, and tie. His dress clothes stood in stark contrast to his wild, overgrown beard.

In his hands was the shotgun.

The boy screamed and raced for the decaying wooden fence.

Behind him, the watermelons continued to explode.

POOOM! POOOM! POOOM!

The old man watched him go, made sure the little fool was safely in his one-story house, before he turned back to the garden.

Thirty feet away, a skeletal man in a long, black coat stood at the edge of the fire. Atop his head perched a tattered hat. His face was impossible to see, silhouetted as it was by the orange glow behind him.

He raised his arm slowly and pointed one single, accusing finger at the old man.

Then the black figure turned and walked into the fire, disappearing within the rows of swirling flames.


CHAPTER 2

Ten Months Later


Five days after leaving California, Peter Normal was about to see his new home for the first time.

He hated it already.

Peter sat in the front seat of his mom’s beat-up Honda, his forehead pressed to the window, and watched the small town of Duskerville go by. It was so different from what he was used to. A two-lane road that stretched through miles and miles of forest, broken occasionally by a farm or clump of houses. The actual town itself had seven blocks of shops, five stoplights, two grocery stores, and one movie theater. Peter knew this because he had counted them all.

Most of the storefronts looked old, like something out of black and white television shows. Leave It To Beaver or Andy Griffith. Not many people were out. A few men in short-sleeve shirts, a woman in a flowered dress. And a tall, strange man in a black suit and hat, with an ancient face and grizzled beard. Who was also carrying a pitchfork.

Curiously, nobody on the street seemed freaked out by that.

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Copyright © 2011 Darren Pillsbury. All rights reserved.

10 comments:

Rubberduck said...

Honestly I think it works either way. Personally I had no problems with the buildup the original gave - I mean, the book's called 'Peter and the Vampires', you know SOMETHING'S up!

The pacing wasn't a problem for me either, but that might just be because I came to this quite late and am a fast reader. If new readers have a whole book to read rather than having it day by day, 17 pages isn't too long to wait for a bad guy, considering the set up lays the tone for all the books to come.

I do like the prologue (and don't want you to waste your hard work!) but I don't think it's necessary to keep readers interested.

Anonymous said...

I like the prologue. I've found the stories I enjoy best either start with the action, and leave the reader struggling to understand a crazy world, building a camaraderie with the character's confusion, or take time in the beginning to build a world complex enough that the reader has difficulty identifying what information they will need later.

In either of these cases, the reader can't see what's coming, so they can bond with the character's plight. Since you've already written a great story with a good prologue, I'd recommend keeping it.

Anonymous said...

I don't think the prologue is necessary. 17 pages is not that many to read before the action starts. If I were starting reading it now, I would rather not know for certain any of the specifics from the teaser.

Todd said...

I hadn't intended an everyday habit of it, three years later, but the prologue hooked me, and here I am. I'd love to think we're an unbiased audience, but we're the people who did like the prologue. Not sure how you'd go about tracking down the people who didn't, but I'd hang onto it in the meantime.

Um the Muse said...

You know, I'd said before that I loved the first story the best. I think it was quite a good start before. In fact, I recommend keeping the old start. I kinda liked seeing this from Dill's perspective, and an introduction to the town was nice, but I vote for moving that stuff elsewhere.

I don't know how these e-books work, but it might be nice to have some kind of "supplementary book"--stories that don't fit into the main story but add depth to your world. Barring that, it might make a good teaser.

Cat said...

I don't think the new prologue is necessary to draw people in. As others have commented, 17 pages isn't that long to wait when you can read them all at once. Also, you don't want to risk giving away anything that'll ruin the surprise of finding out the dead men are real! Plus I like the way it builds up everything from Peter's viewpoint, and you don't know at the beginning who Dill even is, let alone that he's going to be a significant character throughout that book and all the rest.

On the other hand, I do like the prologue and it's a nice change to get a glimpse of Dill's perspective (and him peeing his pants again - start as you mean to go on I suppose!). If it were me, I wouldn't add the prologue at the begining, but would keep it just in case!

Kyle said...

As much as I like the prologue, I don't think it is necessary. I quite enjoyed the build-up of character background on Peter before the action started happening. We already know from the title that Deadmen will be showing up, so the prologue almost becomes spoiler-ish. It works quite well already without the unknown (at this point) Dill's viewpoint.

Also please note, 17 pages in a story is not a huge amount of reading before "getting to the good stuff." The reader will have the entire story in hand when they begin reading, they won't be waiting day by day for it to unfold (though I am enjoying this process as well).

As for my kids enjoyment of the stories, so far I have read almost to the end of Snow Demon to them (I started reading from the beginning to them around the time Morgue was being written). They enjoy it much so far, I will let you know their thoughts once I read the GF story as well as some of the darker ones.

PS: save the prologue as an "extra Chapter 00" at the end of Book 1, it is good writing, just not necessary as I said earlier.

Um the Muse said...

I just had to rethink my position a little. I forgot that you were thinking about changing the titles so that they would be less spoilerish. I still stand by what I said before, but now I get why you would want to add a prologue.

I think too many children's authors try to include something way too early. I think that kills the suspense.

Other than that I'm leaning more towards making it a teaser than before, I still stand by what I said before.

Darren said...

Hola all!

Thanks for your comments, I appreciate them. All good points.

I've decided to ditch the new prologue with Dill and Grandfather.

Although I might use it one day if I ever do a television series (might as well dream big, right?), the major factor in these stories is that we start with Peter...and one day, we will end with Peter.

Not for, like, another 40 to 80 stories, but still.

I agree that the prologue is a big spoiler. And I personally think, having let it sit for awhile, that the prologue is written in a completely different tone and voice. It's a lot more antiseptic than Peter's intro in the car.

That's a writerly concern, but it's still what I think.

I DO like that the prologue sets a spookier, scarier tone from the get-go...

But the trade-off is that we lose the weirdness that Peter experiences bit by bit. As the audience, we're already 17 pages ahead of him and waiting for HIM to catch up to the prologue. We KNOW for certain that something baaaaad is in that garden.

Also, it's a very good point that in a book named PETER AND THE VAMPIRES, and in a story named "Peter And The Dead Men," we pretty much know something freaky is gonna go down.

And, like I said, this is Peter's story. We should start with him, I think.

But I will make a note, Anon #1, of starting stories off with action. Interestingly enough, YETI got so big and unwieldy and took so long to get going that I put in the teaser in there so people would hopefully get hooked. On the other hand, CARNIVAL's spooky beginning was planned from the beginning.

Also, I've wrestled with the idea of changing the titles of the stories in the first two books (you know, like changing "Peter And The Werewolves" to "Peter And the Frat Boys" - although since the book would still be PETER AND THE WEREWOLVES, and "Frat Boys" would be the last story, it wouldn't be too hard to figure out what the monsters were).

However, I think I'm just going to leave them be, as a kind of testament to the way things started out. But titles in the future will be much more elusive (like "Musuem" instead of "Mummy", "Helpers" instead of "Brownies" - although "Boogeymen" was fairly on the nose, wasn't it?).

Thanks to everyone who commented. I appreciate everybody's opinions and insights - it helps challenge me and make me figure out what's most important in how I present these stories to the audience.

Darren said...

PS -

Consider the prologue a nice little treat, a "Deleted Scene" if you will.

And good idea on including it as bonus material in a future ebook...that's a good one.